![]() If you've got a block of dialogue, cut it down to a line or two and see if you still convey what you need to. Playwright and screenwriter David Mamet has shared a lot of helpful advice about how to add more subtext into your scripts, but I think the simplest way to do it without having to overthink it is by cutting your dialogue down to the bare minimum. Your audience is being told what's going on instead of being allowed to explore the story and figure it out themselves. When you over-explain or have clunky expositional scenes, your story begins to feel - I don't know - heavy. Essentially, subtext is all about the subtle messages you're trying to convey to your audience without explicitly coming out and stating them. Subtext can be used in just about anything in your film, whether it be in the script, the editing, or the cinematography. One concept that Cade brings up, though, is something I've seen countless young filmmakers and screenwriters fail to incorporate into their films time and time again - and that's subtext. Cinema is all about storytelling, and pretty much everything you put into your film, dialog, props, lighting, a song, or even an edit, communicates something to your audience. ![]() ![]() All of these elements are important in making a great film, but let's highlight the one thing that I personally think can make or break your movie: storytelling.
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